2015 Quentin Tarantino western ("The 8th Film by Quentin Tarantino"; "No one comes up here without a damn good reason") starring Kurt Russell ("is John Ruth 'The Hangman'"), Jennifer Jason Leigh ("is Daisy Domergue 'The Prisoner'"; nominated for the Best Supporting Actress Academy Award for this film), Samuel L. Jackson ("is Major Marquis Warren 'The Bounty Hunter'"), Walton Goggins ("is Chris Mannix 'The Sheriff'"), Demian Bichir ("is Bob 'The Mexican'"), Tim Roth ("is Oswaldo Mobray 'The Little Man'"), Michael Madsen ("is Joe Gage 'The Cow Puncher'"), Bruce Dern ("is General Sandy Smithers 'The Confederate'"), Channing Tatum, James Parks, Zoe Bell, Lee Horsley, Dana Gourrier, and Quentin Tarantino (as the narrator). Note that Tarantino made this movie in Ultra Panavision 70, with an aspect ratio of 2.76:1, which is extremely similar to that of the Cinerama process, which was completely abandoned in 1966.
This is an original, unfolded Advance US One-sheet movie poster in Very Good condition.
Extra Information:
- Condition: Very Good Unfolded;
- Measures: 27" x 40" [69 x 102 cm]
- Poster Type: Advance US One-Sheet:
- Double-Sided: Yes
Hateful 8, The (2015)
POSTER TYPE
One-Sheet
27” x 40” [69 x 102 cm]
POSTER CONDITION & GRADING
- Very Good condition, Unfolded
DIRECTOR
TARANTINO, Quentin
POSTER TAGLINE & DESCRIPTION
2015 Quentin Tarantino western ("The 8th Film by Quentin Tarantino"; "No one comes up here without a damn good reason") starring Kurt Russell ("is John Ruth 'The Hangman'"), Jennifer Jason Leigh ("is Daisy Domergue 'The Prisoner'"; nominated for the Best Supporting Actress Academy Award for this film), Samuel L. Jackson ("is Major Marquis Warren 'The Bounty Hunter'"), Walton Goggins ("is Chris Mannix 'The Sheriff'"), Demian Bichir ("is Bob 'The Mexican'"), Tim Roth ("is Oswaldo Mobray 'The Little Man'"), Michael Madsen ("is Joe Gage 'The Cow Puncher'"), Bruce Dern ("is General Sandy Smithers 'The Confederate'"), Channing Tatum, James Parks, Zoe Bell, Lee Horsley, Dana Gourrier, and Quentin Tarantino (as the narrator). Note that Tarantino made this movie in Ultra Panavision 70, with an aspect ratio of 2.76:1, which is extremely similar to that of the Cinerama process, which was completely abandoned in 1966.

